![]() ![]() Partain, Edwin Neal, Jim Siedow and Gunnar Hansen, who respectively portray Sally. And I don’t know, however, had I not sincerely tried to go for PG, the picture may have been an X. Explore Tumblr Posts and Blogs tagged as gif: Texas chainsaw massacre with no restrictions, modern design and the. The Texas Chain Saw Massacre is a 1974 American horror film produced and directed by Tobe Hooper from a story and screenplay by Hooper and Kim Henkel. 30.9 million 5 The Texas Chain Saw Massacre note 1 is a 1974 American horror film produced and directed by Tobe Hooper from a story and screenplay by Hooper and Kim Henkel. Well, ended up not having to make any cuts, but, of course, we took the R rating. And every few seconds, those lights would pop on. They have these little clipboards, you know, with lights on them in the dark room. Well, when the film was finished and they saw it, it was really amazing. So over the phone, talking the MPAA all the way through while shooting, I was trying to do what they suggested so I could have a PG rating. And if you don’t see penetration and you see the girl hanging on the meat hook and you’ve suggested penetration in a kind of Hitchcock way, you know, what will I get? Does that get an R? Does that get an X? Or how about PG? A sequence, for instance, where a girl is – a big guy hangs a girl up on a meat hook. And I said, “Now, how can I make this PG?” You know, I know the concept is rough, but let’s hypothetically talk about a sequence that I have. ![]() In fact, when I was shooting the picture, I called the MPAA and told them what I was doing. And I actually set out to get a PG rating. And it also had to do with my awareness of getting a rating on the picture. Was that intentional on your part, or have standards just changed since 1973? It’s not as gory as you’d expect it to be. It’s very hard to sit through in some ways, but it’s really not that explicitly gory. Hooper, who died Saturday, wrote and directed the 1974 cult classic film, The Texas Chain Saw Massacre,which helped inspire a wave of slasher films that followed. It’s a shame, because Hooper and Bell’s hellish, unearthly soundscape cries out to be appreciated on its own.Celebrating 30 Years Of ‘Fresh Air’: Remembering Horror Film Director Tobe Hooper A music master may never have existed to begin with according to some reports, the score was at least partially improvised and recorded directly into the film’s sound mix, bypassing a separate musical recording altogether. Even the end titles leave no respite, the score gnawing at you all the way down, a nightmare that never ceases.Īs for a score release, it seems highly unlikely one will ever happen. The score offers up absolutely no familiar comforts – there’s not so much as a chord anywhere to latch onto, and it’s an essential element to establishing an anticipatory atmosphere in which the worst is always just about to happen. Vital to its impact is the striking musical score Hooper co-composed with Wayne Bell metallic, percussive elements rattle and scrape against each other, with booming steel drum strikes echoing hollowly underneath tape-manipulated clusters of sound (one particularly distinctive ratchet effect was sprinkled into the 2003 remake). The Texas Chain Saw Massacre is a marvel of editorial technique and ferocious directorial energy, and its nightmare vision of heartland America gone terribly sour is still a galvanizing experience like no other. Tobe Hooper’s seminal 1974 shocker still has no equal in unrelenting intensity, gratuitous remakes or no Hooper’s subsequent career slowly flamed out in a downward spiral of excess, but there’s no denying his first film’s raw power. ![]()
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